![]() ![]() “Because editing capabilities change every few months,” explains Apley, “it’s important to be continuously learning.” As long as your lighting is set up correctly, there are countless ways to introduce fascinating new backgrounds to your projects within the world of chroma keying. Keep your eye on the latest tutorials and updates to Premiere Pro through resources like Adobe Live and try out new ways to use Chroma Key tools in your videos. Watch how they did it and see the stunning result of their work. Creative studio Abby Priest experimented to discover whether or not they could use liquid paint as a green screen. In your video editor, cut a simple matte (called a garbage matte) between the person and the edge of the green area, and remove the background beyond the line of the matte.Īnything solid in color can potentially be a screen for a keying project. Hold the pop-up screen behind the person or object you want to shoot. You can use these to shoot keyable footage on the go. After this your key is complete.Look for small, fold-out background panels that resemble a round section of green screen. You can also adjust the Advanced Spill Suppressor suppression level. ![]() ![]() You can try adjusting the Key Cleaner edge radius and strength. Generally the default settings will look pretty good but tweaking can help. Then search for Advanced Spill Suppressor and drop this effect on your footage too.Drag and drop the effect onto your footage. Next, search for Key Cleaner in the Effects & Presets window.As mentioned earlier, this view shows you the result without Keylight spill or color correction. First, set the view mode in Keylight to Intermediate Result.Rather than using Keylight automatic color correction we will use two other effects. Keylight will try to automatically get rid of the tint by color correcting it but this can lead to noise. Often times your subject will have a green tint when filmed on a greenscreen.Once you have created a clean key move on to the next step. Then try to remove black noise from the area you want to keep.Adjust the two options so there is no white noise in the area you want to key out. Again, use the Clip Black and Clip White options to fine tune your key.Instead, it uses white and black to represent what is and what is not being keyed out. This view is similar to the Status view but it does not exaggerate your key. Next change you view to “Screen Matte”.We will come back to this later.įine Tuning Your Key In Screen Matte View The Intermediate Result view does not show spill suppression or color correction by Keylight. You can see the difference before and after by comparing the Final Result view to the Intermediate Result View.Anything that is green represents areas that Keylight will attempt to color correct to remove spill. Again, try to keep a small amount of gray near the edges of your subject. Next decrease your Clip White until your subject becomes almost entirely white. Increase your Clip Black until the background becomes black.The top two options here, Clip Black and Clip White, are the most important. ![]()
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